Fireworks on May 9 from Anichkov Bridge and Lomonosov Bridge piers

Unforgettable festival fireworks on the Victory Day from the board of a comfortable single-deck motor ship.Departure from Lomonosov Bridge and Anichkov Bridge piers.

On the anniversary day of the Great Victory, we invite guests and residents of the city for an evening boat trip. You will witness the grand festive fireworks from the board of a comfortable motor ship, which will be located in the waters of the Neva opposite the Peter and Paul Fortress.

Departure from Lomonosov Bridge pier at 21:10 and Anichkov Bridge pier at 21:20.

The single-deck motor ship has an open deck and a warm passenger room with a panoramic roof and a toilet.

The route is without an excursion assistance.

 

  • temples and cathedrals 1 ,
  • circuses 1 ,
  • museums 2 ,
  • palaces 4 ,
  • points of interest 3 ,
  • parks 1 ,
  • berths 1 ,
  • monuments 3 ,
  • bridges 1
The Central Naval Museum, Cruiser "Aurora"

The Central Naval Museum, Cruiser "Aurora"

St. Petersburg, Petrogradskaya embankment

21.09.2014 the ship was transferred to the Kronstadt shipyard`s dockage facility till 2016

The ship is a 1900 Russian protected cruiser, currently preserved as a museum ship. In the same time Aurora stands today as the oldest commissioned ship of the Russian Navy. The Cruiser  Aurora is a legendary 1st rank Cruiser. The Aurora's keel was laid down at the "New Admiralty" shipyard in St.Petersburg on 23 May 1897. The cruiser was launched on 11 May 1900 and joined the Navy of Russia in July1903.
During the Russian-Japanese War the cruiser, being included in the second Pacific Ocean squadron, sailed to the Far East (October 1904 - May 1905). The cruiser Aurora had her baptism of fire in the Tsushima battle on 14-15 May 1905. When she returned to the Baltic sea, the Aurora for a long time was used as a ship for training naval cadets of the Naval College. In 1917 the Aurora's crew took an active part in the February and October revolutionary activities and the Civil War repulsing international intervention. On 25 October 1917 a blank shot from her forecastle gun signaled the start of the assault on the Winter Palace, which was to be the beginning of the October Revolution. For the whole period of the Leningrad siege from 1941 to 1944 the Aurora was moored at a pier in the Oranienbaum port (the town of Lomonosov) and was constantly shelled and bombed. The hull was holed, got many leakages and sank aground, but the small crew courageously fought for the life of their ship. In July 1944 the ship was raised and taken into a dock for repair.
In 1948 the cruiser Aurora was moored at the Petrogradskaya embankment of Leningrad and till 1956 was used as a naval training ship by the Leningrad Nakhimov College. In 1956 the cruiser Aurora was made a museum (a branch of the Central Naval Museum). 
The Cruiser Aurora is often mentioned in various art works - songs, poems and movies. So in 1945 was made a film about the legendary cruiser Varyag. The role of the Variag fell to Aurora's lot. 
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Saint Isaac's Cathedral

Saint Isaac's Cathedral

Saint Petersburg, Isaakiyevskaya ploshchad, 4

The largest Russian Orthodox cathedral in the city

Saint Isaac's Cathedral or Isaakievskiy Sobor in Saint Petersburg is the largest orthodox chuch and the fourth largest cathedral in the world. It is dedicated to Saint Isaac of Dalmatia, a patron saint of Peter the Great, who had been born on the feast day of that saint.

The church on St Isaac's Square was ordered by Tsar Alexander I, to replace an earlier Rinaldiesque structure, and was the fourth consecutive church standing at this place.

The neoclassical exterior expresses the traditional Russian-Byzantine formula of a Greek-cross ground plan with a large central dome and four subsidiary domes. It is similar to Andrea Palladio's Villa La Rotonda, with a full dome on a high drum substituted for the Villa's low central saucer dome. The design of the cathedral in general and the dome in particular later influenced the design of the Lutheran Cathedral in Helsinki.

The exterior is faced with gray and pink stone, and features a total of 112 red granite columns with Corinthian capitals, each hewn and erected as a single block: 48 at ground level, 24 on the rotunda of the uppermost dome, 8 on each of four side domes, and 2 framing each of four windows. The rotunda is encircled by a walkway accessible to tourists. 24 statues stand on the roof, and another 24 on top of the rotunda.

The cathedral's main dome rises 101.5 metres (333 ft) and is plated with pure gold. The dome is decorated with twelve statues of angels by Josef Hermann. These angels were likely the first large sculptures produced by the then novel process of electrotyping, which was an alternative to traditional bronze casting of sculptures. Montferrand's design of the dome is based on a supporting cast iron structure. It was the third historical instance of cast iron cupola after the Leaning Tower of Nevyansk (1732) and Mainz Cathedral (1826).

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Peter and Paul Fortress

Peter and Paul Fortress

St. Petersburg, Zayachy ostrov

A unique historical, architectural and fortification art monument of XVIII-XIX centuries

Founded by Peter the Great in 1703, St. Peter and Paul Fortress is considered to be a unique fortification monument of XVIII-XIX centuries. Its architectural ensemble is focused around St. Peter and Paul Cathedral where the tombs of all the Russian emperors can be found.

The Peter and Paul Fortress is put on May 27, 1703. According to the legend, Peter I himself chose a place for new fortress – the small Hare island (in Finnish – Enisaari), located in the Neva River mouth. The citadel in the form of a six-pointed star was constructed according to the project made by the French engineer Zh.G. Lamber with the participation of the tsar. Six curtains connect six powerful bastions, the associates of Peter I called by names.

The defensive system from the West and the East is closed by Ioannovsky and Alekseevsky ravelins. Two bridges — Ioannovsky and Kronverksky - connect the Hare island with Petrograd. On October 1, 1703 fortress consecrated. On the Monarchic bastion the Andreevsky colors were hoisted, on ramparts three hundred tools are installed. On June 29, 1703 in the center of the Peter and Paul Fortress put small wooden church for the sake of apostles Pyotr and Pavel on which place in 1712-1732 built a stone cathedral. From 1731 to 1858 Peter and Paul Cathedral had the status of the cathedral temple of the capital, then was ranked as court department. The cathedral served as a tomb of reigning House of Romanovs. Here the Russian emperors and empresses from Peter I to Nikolay II, except for Pyotr II and Ioann of VI are buried. To a cathedral the covered gallery connected the Grand-ducal tomb.

Within the XVIII-XIX centuries in the territory of fortress buildings and constructions of different function were built: Botny house, Artillery, Mint, Commandant's and Engineering house, an also guardroom and others. In the XVIII century fortress became a jail of the state criminals, in XIX — the main political prison of Russia. At the emperor Alexander I at the beginning of the XIX century fortress was for the first time open for visitors. In the 1900th years in Peter and Paul Cathedral tours on an imperial necropolis were conducted. In 1924 Trubetskoy's prison of a bastion turned into the museum. In 1954 the complex of buildings of the Peter and Paul Fortress was passed the State museum of history of Leningrad (St. Petersburg).

The territory of the fortress and the beach are open for public. The main cites include the history of everyday life in St.Petersburg in the XVIII-XIX centuries in the House of the Commandant of the garrison. One may visit the prison of Trubetskoy bastion that once used to be the political prison. Among those prisoners who are well-known in the world were L.Trotsky and F.Dostoyevsky. The Boat house shows the first ship that started the history of Russin fleet.

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St.Petersburg Academy of Science

St.Petersburg Academy of Science

St. Petersburg, Universitetskaya nab., 5
None
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Old Saint Petersburg Stock Exchange

Old Saint Petersburg Stock Exchange

The Spit of Vasilyevsky Island

The main building in the architectural complex of The Spit of Vasilyevsky Island

The building, which is situated at Birzhevaya Ploschad 4, is a significant example of the Greek Revival architecture. Designed by French architect Thomas de Thomon and inspired by the Greek Temple of Hera at Paestum, the stock exchange was constructed between 1805 and 1810. It was built for the St. Petersburg Stock Exchange, but was subsequently used for a different purpose. As of 2011 the building houses the exposition of the Central Naval Museum.

The Old Stock Exchange is sited to fill the majestic sweep of the Spit (in Russian Strelka) of Vasilievsky Island, just opposite the Winter Palace. Thomon's design called for a peristyle of forty four Doric columns resting upon a massive stylobate of red granite and supporting an entablature of triglyphs and slotted metopes. A monumental sculptural group similar in form to aquadriga featuring Neptune, and symbolizing maritime commerce, is mounted above the portico. Both inside and outside the Bourse, a motif of the semicircle is recurrent. The interior features a large colonnaded trading hall, now divided into eight exhibition halls. The central rooms are illuminated by an oblong skylight. The surrounding ceiling features double-sunk coffers.

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Monument to Peter I on Senate Square (Bronze Horseman)

Monument to Peter I on Senate Square (Bronze Horseman)

Saint Petersburg, Senatskaya ploshchad

Monument to Peter the Great, the founder of St.Petersburg

Commissioned by Catherine the Great, the monument was created by the French sculptor Étienne Maurice Falconet in 1782. The second name (the Bronze Horseman) comes from the same name poem written by Aleksander Pushkin (1833). The monument symbolizes the Russian victory over Sweden in the Northern War (1700-1721): the snake symbolizes a defeated enemy, the horse symbolizes Russia. The pedestal of this monument is a huge so-called "thunder-stone", which was delivered to Senate Square from a borough Lakhta.

There is a legend that one can find the name of Étienne Falconet on a fold of Peter the Great's cloak.

You can see the ballet “Bronze Horseman” in Mariinsky theater.

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Peter the Great Museum of Anthropology and Ethnography (the Kunstkamera) RAS

Peter the Great Museum of Anthropology and Ethnography (the Kunstkamera) RAS

Saint Petersburg, Universitetskaya naberezhnaya, 3

One of the largest ethnographic museums in the world is the successor of the Kunstkamera, museum established by Peter The Great in 1714.

Peter the Great Museum of Anthropology and Ethnography is one of the largest and oldest ethnographic museums in the world. It is the successor to the first Russian state public museum, the famous Kunstkamera, established by Peter The Great in 1714.

The Kunstkamera was dedicated to collecting and researching natural and human curiosities and rarities. Today, Peter the Great Museum of Anthropology and Ethnography RAS is not only an academic museum, but also one of the leading research centers of the Russian Academy of Sciences.

Here the traditions of the great Russian ethnographers and anthropologists of the XVIII - XX centuries continue. Priceless ethnographic, anthropological and archaeological collections stored in the Museum are considered to be the most complete and interesting in the world. There are over 1.2 million exhibits, reflecting the diversity of cultures of the peoples of the Old and New Worlds, which are part of the cultural heritage of all mankind.

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The Rostral Columns

The Rostral Columns

St. Petersburg, Vasilievsky Ostrov, Birzhevaya Ploschad

In the 18th century the columns fulfiled the role of lighthouses

The first two rostrum columns, Chesmenskaya and Moreiskaya, were built in the 1770s at Tsarskoe Selo (near Pushkin) in memory of the victories of the Russian fleet (see Russian Naval Memorials). In St. Petersburg there are two rostral columns erected from granite and pudost stone in 1805-10 (architect Jean-Francois Thomas de Thomon) on the spit of Vasilyevsky Island (see also Stock Market Square). From the very start they served as beacons for the trading port. Inside the rostral columns are spiral staircases, leading to the squares are chalice shaped lamps on tripods (since 1957 the gas beacons of the columns have been lit for celebrations). At the pedestal of the columns are sculptures (the craftsman S. Sukhanov, the sculptors J. Camberlain and J. Thibaud), they are traditionally considered allegories for the Volga and Dnepr rivers (the northern column), the Neva and Volkhov (the southern column). In 1999-2000, they were restored.

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 Winter Palace

Winter Palace

St. Petersburg, Dvortsovaya pl., 2

The Winter Palace is the former royal palace. Nowadays  it is a part of the main museum complex of the Hermitage

The monumental and elegant Winter Palace built by order of the Empress Elizabeth Petrovna by the architect Francesco Bartolomeo Rastrelli in 1754-1762, is a striking monument of the Baroque style. The palace is a brilliant example of a synthesis of architecture and decorative plastic art. All the facades are embellished by a two-tier colonnade. Forming a complex rhythm of verticals, the columns soar upwards, and this motion embraces the numerous statues and vases on the roof. The abundance of stucco decoration - fanciful surbases and window architraves, mascarons, cartouches, rocailles, and a variety of pediments - creates an extremely rich play of light and shade that invest the building's appearance with magnificence.

Developing upon one and the same architectural motif, Rastrelli gave each of the four facades of the palace a different structural rhythm. The southern facade, overlooking the square, has a formal grandeur. Here the architect pierced the building with three arches to create a grand entrance into the courtyard and accentuated it with the vertical elements of paired columns. The majestic northern facade, giving the impression of an endless colonnade, faces the broad expanse of the Neva. The western facade, across from the Admiralty, is reminiscent of the composition of a countryside palace with a small courtyard. The monumental eastern facade with its massive side blocks forming a large courtyard is turned to Millionnaya Street, where the mansions of the nobility were located.

For 150 years the palace served as an imperial residence. In November 1917 it was declared a museum. The exhibition placed in the palace includes grand halls and chambers, collections of the antiquities of Eurasia and the East, as well as collections of European and Eastern paintings, sculptures, and decorative art works.

Ticket price - 800 rubles

Citizens of the Russian Federation and the Republic of Belarus - 400 rubles

Children, students, pensioners of the Russian Federation - for free

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Summer Garden

Summer Garden

Saint Petersburg, nab. Kutuzova, 2

The Summer Garden is one of the places where one can feel the atmosphere of Peter's times

The garden with a collection of sculptures and the Summer Palace that was the first Emperor's residence constitute a single museum complex. 

The Summer Garden is a pearl in the garden necklace of Petersburg. Peter I really liked this garden. It was laid out in 1704. Time has changed the garden a lot. However, its original planning still remains. 

Peter I wanted the garden of his residence to be as beautiful as the famous gardens of European monarchs. To decorate the Summer Garden he commissioned marble busts and statues from Italy. This purchase laid the foundation of the collection of sculpture of European level.

The fence on the Neva side of the Summer Garden is an architectural masterpiece of universal fame. The impressive monumentality merges miraculously with lightness, simplicity, and grace.

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Anichkov Palace

Anichkov Palace

St. Petersburg, Nevsky pr., 39 A

Anichkov Palace is a former imperial palace at the intersection of Nevsky prospekt and the Fontanka River. The oldest building on Nevsky Prospekt that survived until today, it took its name from the nearby Anichkov Bridge

The construction of the Palace commenced in 1741, under the orders of the Empress Elizabeth I who just started reign the state after the latest palace coup. The project of the various-story building, the form of which was similar to letter ‘H’ (‘N’ in Cyrillic alphabet) was developed by one of the most renowned architects in the Russian capital Mikhail Zemtsov. The building works were finished in baroque style upon the guidance of Bartolomeo Rastrelli.

Back then, Fontanka used to be the outskirts of the city, Nevsky Prospekt was a branch trial. So, it was necessary to erect a mesmerizing construction that could adorn the entrance to the capital. There was a special channel with a small pond at the entrance to the palace dug out near Fontanka. That accounts for the unique location of the palace which is situated sideways to Nevsky Prospect. The palace with its beautiful garden, fountains and flowerbeds which resembled the Palace in Peterhof, was presented by the Empress Elizabeth I to her favorite (and likely spouse), Aleksey Razumovsky. Thereafter, the palace used to be a nice wedding present for aristocrats. After the Empress Catherine II’s enthronement, the palace reverted to the crown – the Empress bought the Anichkov Palace from Alexey’s brother Kirill and later donated the palace to her closest favorite Prince Grigory Potemkin. Another part of her present was 100 thousand roubles for fitting out the palace ‘to his own taste’. As a result, the palace undergone reconstruction in 1776-1778 supervised by the architect Starov and turned into a great example of the classical architecture in a strict sense. The building was renewed and considerably altered: for instance, various-story structure as well as stucco decorations were eliminated, and the pond was covered up with sand.

At the end of the XVIII century the palace was restored to the crown and adapted to accommodate Her Imperial Majesty's Cabinet. Later, though, the Imperial Cabinet occupied the new building which was erected on Fontanka Embankment along Nevsky Prospect by Quarenghi. Quarenghi’s construction obstructed the overview of the palace from Anichkov Bridge.

Alexander I bestowed the palace on his sister, Grand Duchess Ekaterina Pavlovna of Russia and her groom Prince Friedrich Ludwig of Mecklenburg-Schwerin as a wedding present. The future Russian Emperor Nicholas I moved into the palace in 1817. At that time, Carlo Rossi supervised architectural re-planning and reconstruction of the interiors of the palace. He also instilled the palace and its garden into a grand architectural ensemble on Alexandrinsky Square (now known as Ostrovskogo Square). After Nicholas I ascended the throne, he often stayed at Anichkov Palace. It was also a place where royal balls and banquets were held. In 1837, at the year when the Winter Palace was being reconstructed after the fire, august family was living in the Anichkov Palace for a while. After the Emperor’s death in 1855, the palace was renamed ‘Nikolaevsky’ but locals kept on calling it ‘Anichkov’. The palace was home for the future Emperor Alexander II, the son of Nicholas I who was educated and brought up by the Russian poet Zhukovsky, Pushkin’s friend. Speaking of, Zhukovsky had his own flat in the palace. He also taught Russian to the Empress Aleksandra Fyodorovna. On October 23, 1836 the poet Alexander Pushkin was invited to Imperial audience, where Nicholas I insisted on his refraining from duel.

In 1841 Nicholas I bestowed the palace to his son Alexander for his wedding, quarter-century later the palace was granted by Alexander II to his son Alexander III. Being afraid of terror attacks to the Winter Palace, Alexander III preferred to stay at the Anichkov Palace and made it his official residence. At that time a blank wall was constructed from the side of the square.

Following the October revolution, the Bolshevik government nationalized the Anichkov palace and designated it the Saint Petersburg City Museum. Since 1925 the palace was closed. In 1934 it was decided to establish "The Palace of Pioneers" there, and after the reconstruction on February 12th, 1937 it was opened. During the Great Patriotic War there was a surgical hospital at the palace. It functioned the first winter during the Siege of Leningrad and housed a lot of wounded people. In the spring 1942 the hospital was moved out of the palace, and ‘The Palace of Pioneers’ welcomed pioneers of Leningrad again.

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Anichkov Bridge

Anichkov Bridge

Saint Petersburg, Anichkov most

The Anichkov Bridge is the first and most famous bridge across the Fontanka River in Saint Petersburg

The current bridge, built in 1841-42 and reconstructed in 1906-08, combines a simple form with some spectacular decorations. As well as its four famous horse sculptures (1849–50), the bridge has some of the most celebrated ornate iron railings in Saint Petersburg. The structure is mentioned in the works of Pushkin, Gogol, and Dostoevsky.

During the siege of Leningrad bridge was damaged by artillery attack. Were damaged granite parapets and railing sections. Crossing became blockade monument: on granite pedestal horses  intentionally decided not to restore the trail from German artillery shell fragments.

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The Stroganov Palace

The Stroganov Palace

г.Санкт-Петербург, Невский проспект, дом 17, литера А
The Stroganov Palace (1752-1754, designed by B. Rastrelli) is the outstanding example of Baroque style. Nowadays the exposition of the palace includes paintings and sculptures of XVIII-XIX centuries.
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 Winter Palace

Winter Palace

St. Petersburg, Dvortsovaya pl., 2

The Winter Palace is the former royal palace. Nowadays  it is a part of the main museum complex of the Hermitage

The monumental and elegant Winter Palace built by order of the Empress Elizabeth Petrovna by the architect Francesco Bartolomeo Rastrelli in 1754-1762, is a striking monument of the Baroque style. The palace is a brilliant example of a synthesis of architecture and decorative plastic art. All the facades are embellished by a two-tier colonnade. Forming a complex rhythm of verticals, the columns soar upwards, and this motion embraces the numerous statues and vases on the roof. The abundance of stucco decoration - fanciful surbases and window architraves, mascarons, cartouches, rocailles, and a variety of pediments - creates an extremely rich play of light and shade that invest the building's appearance with magnificence.

Developing upon one and the same architectural motif, Rastrelli gave each of the four facades of the palace a different structural rhythm. The southern facade, overlooking the square, has a formal grandeur. Here the architect pierced the building with three arches to create a grand entrance into the courtyard and accentuated it with the vertical elements of paired columns. The majestic northern facade, giving the impression of an endless colonnade, faces the broad expanse of the Neva. The western facade, across from the Admiralty, is reminiscent of the composition of a countryside palace with a small courtyard. The monumental eastern facade with its massive side blocks forming a large courtyard is turned to Millionnaya Street, where the mansions of the nobility were located.

For 150 years the palace served as an imperial residence. In November 1917 it was declared a museum. The exhibition placed in the palace includes grand halls and chambers, collections of the antiquities of Eurasia and the East, as well as collections of European and Eastern paintings, sculptures, and decorative art works.

Ticket price - 800 rubles

Citizens of the Russian Federation and the Republic of Belarus - 400 rubles

Children, students, pensioners of the Russian Federation - for free

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The Marble Palace

The Marble Palace

г.Санкт-Петербург, Миллионная улица, дом 5а, литера А
The Marble Palace (1768-1785, designed by A. Rinaldi). The usage of different kinds of marble gave the name to this Palace. The permanent exposition represents the main trends of Russian and non-Russian art of the second half of XX century.
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Saint Michael's (Engineer's) Castle

Saint Michael's (Engineer's) Castle

St. Petersburg, ul. Sadovaya, 2

The largest architectural monument, completing the history of St. Petersburg architecture of the XVIII century

Mikhailovsky Castle is the only palace constructed in Russia in the style of romantic classicism. It is a unique building with which many stories and legends are connected, often of a mystical character. It combines the features of a medieval knight's castle and a secular European palace of the XVIII century.

The palace was designed by the architect V. I. Bazhenov on behalf of Emperor Paul I, who wanted to make it his main front residence. The construction was led by architect V. Brenna. He revised the original design of the palace and created the artistic decoration of its interiors.

In addition to Bazhenov and Brenn, the emperor himself took part in the creation of the project, having composed several drawings for him. Brenn's assistants were also included Fedor Svinin and Karl Rossi. 

Built in the shortest possible time, the castle became the place of the mysterious death of its owner.

At the beginning of the XIX century. the castle “a deserted monument of a tyrant, an abandoned palace forgotten” took military and cultural figures into its walls, and later the Engineering School was located here, and the luxurious interiors of the former imperial residence were rebuilt and adapted to its needs. For many years, the castle was named Inzhenerny. In Soviet times, various military organizations were located here.

Now in the restored halls of the castle there is a permanent interactive exposition "The Romanov Saga" and open sculpture funds of the late XIX - early XXI centuries. The authentic marble sculpture of the Summer Garden is also stored here, as well as temporary exhibitions.

 

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Chizhik-Pyzhik

Chizhik-Pyzhik

Saint Petersburg, Nab. reki Fontanki, 1 Inzhenernyi Most, on the opposite side

One of the smallest statues in Saint Petersburg

It was installed in 1994 on the Fontanka River near the 1st Engineering Bridge, where in 1835, on the initiative of Prince Peter of Oldenburg was founded the Imperial School of Jurisprudence. Students of the school wore uniforms of yellow-green color, which resembled a plumage of chizh (a siskin). So people started calling them by the nickname Chizhik-Pyzhik.

Author of the statute was Georgian screenwriter and director Revaz Gabriadze. It is one of the smallest statues in Saint Petersburg. Its height is 11 centimeters and weight about 5 kilograms. The statue was stolen on a couple of times, but every time the sculpture returned to the place.

According to the belief your desire will come true if you make a wish and throw coin in statue.

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THE BOLSHOI SAINT-PETERSBURG STATE CIRCUS

THE BOLSHOI SAINT-PETERSBURG STATE CIRCUS

The big St. Petersburg State circus - the first stone stationary circus of Russia - opened on December 26, 1877. One of the most beautiful circuses of Europe the actors seeing on the European tour way of many circuses called this building. Gaetano Ciniselli (1815-1881) Initiator of his construction was the Italian citizen, the head of a big circus family, the circus performer (the equestrian and the trainer of horses), made to himself a big name in Europe, - Gaetano Ciniselli. The building of circus is the unique technical construction executed on the basis of a front line the then to engineering thought. For the first time in the world at construction of a dome record for those times flight (49,7м) supporting internal columns that created unusual spatial effect weren't applied. Essentially new mesh and ridge design of a dome as the huge overturned bowl covers a hall. This new technical solution became wide to be applied subsequently in construction of similar constructions. Registration of the auditorium was executed with luxury. In its furniture the crimson velvet, gold, mirrors were combined. Boxes and places in orchestra seats were designed for 1500 people, and the general filling of a hall, at the expense of a capacious gallery, reached 5000 viewers. The building of circus of Chinizelli, was among soon the main sights of the city and reached position of the paramount spectacular enterprise of the capital.

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Useful information

Date: May 9

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